Perlmann's Silence Read online

  He was wearing a brownish suit which was too short in the sleeves, and looked like a farmer’s Sunday suit, and an open white shirt that looked like something left over from the Sixties. But what chiefly captivated the eye was his big round head, which was almost completely bald. A bullet would bounce off his skull, Perlmann thought every time he saw him. The fact that there was something grotesque about Ruge’s head, something of a living death’s head, was down to his glasses, glasses with a yellowish frame of gloomy transparency that was as unmodern, as inelegant as if someone had done everything within their power to create the epitome of an anti-fashion frame. The impression was reinforced by the fact that one earpiece had been repaired with fine wire, the end of which stuck out and threatened to tear open Ruge’s temple at any moment.

  The organization of the laboratory had gone faster than expected after all, he reported in his broad Swabian accent. Perlmann had forgotten how close his ä was to his e. Ruge had travelled through the night and hardly slept, because in the full second-class compartment lying down had been unimaginable.

  ‘It didn’t occur to me,’ he grinned when Perlmann asked him why he hadn’t flown or at least travelled first class.

  As Ruge walked over to his suitcase to fetch an offprint that he had brought specially for him, Perlmann saw that the room was arranged as a mirror image of his own. This meant that the two desks stood exactly opposite one another, as in a piece with two pianos, except that there was a wall in between. That idea momentarily unsettled Perlmann. With dry words of thanks he took delivery of the thick offprint, which was actually a small book, and disappeared to his room where, without thinking anything about it, he chained the door.

  It was now half-past five, and the dusk was sinking surprisingly quickly, almost headlong, on to the bay. The coast by Sestri Levante had become a flickering strip of light, and now the hotel lamps were coming on, each one four white spheres in an irregular arrangement. At midday Perlmann had cursed the southern light because it promised him a present that could never be reached. Now that it made way for darkness and was overlaid with the glow of artificial light, he could hardly expect to see it again. As clumsy as someone constantly running behind himself, only now did he miss its hypnotic power, which made one forget and which took away the past along with its heaviness, just as the need to plan anything burned away to nothing. With the dusk, the muted colors and the magic of the lamplight, his inner space filled once more with all the images that he feared one minute before feeling nothing but weariness the next, and a longing for the strength that could wipe out everything.

  The figure that crept backwards out of the taxi, doing battle with two enormous camera bags, which became caught on the seat and then in the door, could only be Laura Sand. She asked the driver who set her suitcase down on the steps to hold her cigarette while she looked for money in the pocket of her long black coat. Then she heaved the case up one step at a time and, with her other arm, caught the camera bags when they threatened to hit the banisters.

  Perlmann rushed out and realized too late that he had left his key in the room. Feeling a sharp pain in his leg, he went over on his ankle and came hobbling, face distorted with pain, into the lobby where Laura Sand was stubbing her cigarette out in the ashtray on the reception desk.

  He had forgotten the extent to which she could fill a whole room with her white face, her mockingly pouting lips and the shadow of rage in her almost black eyes. He had remembered above all the dense ponytail of deep black hair which fell unevenly to her shoulders on either side of a muddled parting. Even now, as she held out her slender hand with a smile, there was a sceptical sharpness in her eye, further emphasized by the fact that she always held her head tilted slightly to the side. For a moment he compared her face with that of Signora Morelli, who was just taking charge of her Australian passport: the Italian face now looked merely like a pleasant but pale background.

  Laura Sand laid her black leather suitcase, which was scattered with faded, battered and torn stickers of foreign cities and rare animals, flat on the floor, opened the zip and dragged from a tangle of underwear, books and rolls of films, an olive-green travelling typewriter. She’d been writing on it for almost twenty years, she said, not least in the Steppes and the jungle. Twice the machine had been taken apart completely and reassembled. Only yesterday her daughter had swept it from the table during one of her fits of aerobics, and now the carriage didn’t work properly. It urgently needed to be repaired.

  ‘I can’t think without that damned thing,’ she said in a broad Australian accent, and with a strange fury that looked almost comical because it wasn’t aimed at anyone and seemed to be her second nature.

  ‘No problem,’ said Giovanni, when Signora Morelli had translated. He had just arrived to join the nightshift, and had put even more pomade in his hair than the previous evening, when he had got badly on Perlmann’s nerves with his slow-wittedness commentaries. He knew someone who could fix it in the blink of an eye, Giovanni said. He couldn’t take his eyes off Laura Sand’s face, and instead of ringing for the porter, still wearing his coat he picked up her suitcase and walked ahead of her to the elevator.

  When the chambermaid who had opened his door for him had gone, Perlmann picked up Leskov’s text again. Now that it would be an hour at most till Brian Millar arrived, it was particularly important to build a protective wall of understood Russian sentences around him. The more sentences he could pile up, the less the man with the red shimmer in his dark hair could do to him.

  But Perlmann couldn’t manage to translate even a single sentence. Like yesterday on the plane he was paralyzed by a kind of seeing blindness, and when finally he managed to read the words correctly, his memory played one trick on him after another. He felt anxiety welling up within him like a poison, which, released in the depths, was forcing its way relentlessly to the surface. While he stood by the window in the dark and smoked, he called Evelyn Mistral’s laughter to his aid, and then Laura Sand’s furious gaze. But he was unsure whether those two faces would be any use against Millar, and his anxiety wouldn’t go away.

  And, in fact, there wasn’t the slightest reason to be anxious. All right, they hadn’t liked each other from the start. But that episode in Boston had been really quite trivial; practically childish, and not something to explain hostility.

  Millar had travelled with his girlfriend Sheila, a beauty with long blonde hair and a very short skirt. He was extremely proud of her and treated her like a jealously protected property. The colleagues bowed and scraped around her and wooed with her in the most ludicrous fashion. Perlmann didn’t do a thing. During breaks in the conference and sometimes even during the lectures he withdrew into a quiet corner of the building and read a paperback of short stories. Sheila often strolled, bored, down the corridors, smoking. When she approached Perlmann she cast him a curious glance and went on walking. On the third day of the conference she sat down next to him and asked him what he was always reading. Wouldn’t she much rather have been somewhere else? he asked her after a while. The question caught her off guard, they started laughing, and suddenly there was a familiarity between them whose charm lay in the fact that it was gauzy and without any history. They walked together to the caféteria, still joking, because Sheila liked his dry, melancholy humor. When she found what he said particularly funny, she put her arm around his shoulder. Her head was close to his. Her hair brushed his cheek. He felt her breath and smelled her perfume. He turned his head, and just at that moment Millar, coming from the session with his colleagues, entered the caféteria. He saw them in this attitude of intimacy, Perlmann with his face bright red. Millar left his colleagues standing, came rapidly over and took Sheila by the arm, as if he wanted to confront her and regain possession of her. She defended herself. There was almost a scene. All under the curious eyes of the colleagues who were still streaming in. Perlmann did nothing, just went on holding his tray, and was unable to suppress a smile of amusement that didn’t escape Millar.

&
nbsp; In the afternoon it was Perlmann’s turn to deliver his lecture. Millar was sitting in the front row with Sheila. Perlmann saw her gleaming stockings and metal stilettos. He made a stupid mistake in a formula at the board. It was quite a trivial mistake, and basically it was of no importance whatsoever for the rest of his thought process. Millar’s hand shot up in the air, even before the chairman had finished his introductory words to the discussion. With understatement bolstered by sarcasm, he pointed out the mistake. Perlmann panicked, improved things for the worse and wiped out the correct part of the formula. Millar crossed his legs, folded his arms in front of his chest and tilted his head to one side. ‘No, you see, you should have left that part as it was,’ he said with slow complacency and a malicious smile. At last the grey-haired chairman, an authority in his subject, intervened in a calm voice. Perlmann regained his sense of security, steadily wiped the whole formula out and without hesitation wrote down the right one. Then he walked slowly back to the lectern, drew the microphone to him with theatrical care and asked, looking down at Millar, ‘Happy now?’ He managed a tone and a facial expression that turned the mood in the lobby in his favor, because quiet laughter could be heard. Sheila turned her head towards Millar and looked at him with curious and malicious glee. He darted her a poisonous glare in return.

  The next morning, when Perlmann entered the hotel foyer with the case in his hand, Millar and Sheila had just gone out through the revolving door. Sheila glanced back and saw him. Millar was already opening the door of the taxi and turning impatiently towards Sheila when she called something out to him, turned round and slipped back into the revolving door. For a few moments she was trapped in it, because on the other side an elderly couple – she with a thick fur coat and a hatbox – were wedged in the door, and only with some pushing and shoving did it start moving again. Sheila tottered up to Perlmann and pressed a kiss on his cheek with comically parted lips. Then she was back at the door, turned round and waved with ironic daintiness. The others watched and laughed. One of his colleagues pointed to his cheek, which must have borne the impression of Sheila’s violet lips. Sheila saw it through the glass of the door and smiled, her tongue between her teeth. Millar still stood icy-faced, holding the taxi door. Sheila got in and pulled down her short skirt.

  Ruge and von Levetzov, at the first letter of enquiry, had immediately asked whether Millar was to be invited. Maybe they would have come even without him. But Perlmann simply couldn’t think of an excuse not to invite this man, Brian Millar, whose name was on everyone’s lips.

  He turned the light on and went into the shower. At home he never showered during the day. But now everything was to be rinsed away so that he could meet the man with the alert expression afresh and without embarrassment. Like yesterday evening and that morning, he showered for a very long time. You’d almost think I had a cleanliness fixation. He tried to persuade himself that all that water could make the afternoon’s clumsiness and solicitude disappear. The coming dinner, he said to himself, was the actual beginning. Everything before that was mere chance and didn’t count.

  When he had shaken the water out of his ears and heard the telephone, he immediately thought it must have been ringing for ages. He ran dripping through the room. As he reached for the receiver, he looked at his wet footprints on the pigeon-blue carpet and felt a desperate annoyance with his subservience, which mocked all his good intentions, rising up within him.

  ‘Hi, Phil,’ was all the voice said. Perlmann recognized it immediately. The two syllables were enough to remind him what he had tried without great success to explain to Agnes after he got back from Boston: the voice formed the words in a completely undetached way. Its tone didn’t just show that this was the speaker’s mother tongue; the tone wasn’t only an expression of the self-evidence with which the language was at the speaker’s disposal. There was more at stake: the tone contained – and even Agnes’s frown could not shake his conviction about this – the message that this was the only language that truly deserved to be taken seriously. Self-righteous, you understand, his penetratingly sonorous voice is self-righteous. He speaks as if the others were to blame and very much to be pitied for the fact that they, too, don’t speak East Coast American, this Yankee language. This self-righteousness, this sonorous arrogance, that was what drove me up the wall.

  ‘Hi, Brian,’ said Perlmann, ‘how are you?’

  ‘Oh, fine,’ said the voice, and now Perlmann was once again quite sure that what he had said to Agnes was the precise truth.

  ‘By the way, Phil,’ the voice went on, and now this American mania for shortened first names was getting on Perlmann’s nerves again, ‘apparently my room’s right next to yours.’

  Perlmann saw Ruge’s desk in front of him, right up against his own, and he felt as if the two walls of his room were being pushed closer and closer together until they crushed him.

  ‘How nice,’ he heard himself saying and had a feeling that with those empty words he was sealing his own defeat. He had never, even when standing naked, felt so exposed.

  ‘Me, too,’ he said at last, when Millar stressed how much he was looking forward to seeing him later over dinner.

  Big puddles of water had formed around his feet, and were spreading outwards. He was shivering, and went back into the shower. It was quite clear, he thought, as he let the water run over his face: he couldn’t stay in his room. And the new room had to be far away, on another floor and if possible in the other wing of the hotel.

  But what explanation should he give to Signora Morelli when making his request? And how could he prevent Ruge and Millar from taking it personally when he moved out? He would have to destroy something that would make the room uninhabitable and couldn’t be quickly repaired. Maybe rip the telephone from the wall and claim he had tripped over the wire. But a telephone connection could be quickly mended, far too quickly. Or do something with the television aerial and say he’d accidentally bashed it with the chest of drawers. But even a television socket could be easily changed. There wasn’t anything that could be broken in the bathroom without making it look deliberate. Pouring something on the carpet, like a whole pot of coffee. But you didn’t ask for a different room because of a stain on the carpet, least of all if you’d made it yourself.

  Achim Ruge blew his nose and trumpeted even more loudly than he had in the afternoon. Shortly afterwards the sound of piano music came from Millar’s room. Bach. Trembling with irritation, Perlmann tried to find the station on the bedside-table radio. Nothing. Millar must have brought a radio-cassette recorder with him.

  He listened reluctantly. He didn’t know this composition. He had never had a memory for Bach. He wouldn’t have dared to say it in the Conservatoire, but he found most of Bach’s piano music monotonous and boring. Secretly, he had often thought, Bela Szabo had felt the same. Otherwise he would, like the other teachers, have insisted on Perlmann playing at least a minimum of Bach.

  Perlmann picked up his Russian grammar. Leskov’s text, he felt, was going to defeat him again now. But he could at least memorize the Russian entry for must. Then he would have something, a tiny bit of progress, that he could cling to when he came down to dinner later on. He walked back and forth with the open book in his hand and spoke the words more loudly than usual, to assert himself against Millar’s Bach and Ruge’s repeated nose-blowing.

  Shortly before eight Perlmann stood at the window in his grey flannel trousers and dark blue blazer, watching people coming up the steps from outside, to eat in the famous restaurant of the Miramare. Break a windowpane. That could be explained by clumsiness, and would be a reason to change rooms, now that the nights were growing rather cool. But even a windowpane was quickly replaced. Run away. Simply run away. Down the steps to the shoreline promenade, around the rocky outcrop over there, out of vision, and then keep going, keep on going. He clenched his fists in his pockets until the nails cut into the palms of his hands. On the way to the door he stopped and repeated the entry for must twice. It took. N
ow the important thing to be is laconic, he thought as he pulled the door shut, not unfriendly, but laconic.

  On the stairs he was horrified to realize that it was already half-past eight, and he was late for the first communal dinner. Still hobbling slightly, he entered the elegant dining room with the glittering candelabras. Now that he saw his colleagues sitting at a big, round table, it was clear to him that he had no idea what official words of greeting he was going to say.

  3

  Millar looked at the clock and rose to his feet, although admittedly without coming towards him. He was wearing grey trousers and a dark blue double-breasted jacket, a thin-striped shirt and a navy-blue tie, with a stylized anchor embroidered on it in golden yellow thread. His appearance and his stiff posture recalled those of a naval officer, an impression reinforced by the fact that his angular face with its thrusting chin was as tanned as if he had been at sea for weeks. As he stood there by the table with his broad shoulders, while his colleagues had stayed in their seats, he looked like the man in charge of everything, who had risen to greet a latecomer.

  ‘Good to see you, Phil,’ he said with a smile that revealed his big, white teeth. His handshake was so brief and powerful that a sensation of complete passivity arose in Perlmann.

  ‘Yes,’ he murmured, annoyed at his idiotic reaction. As before, in Boston, it was the steel-blue eyes behind the flashing glasses that made him shrink inwardly to a schoolboy, a little squirt who was oppressively aware that he still had to prove himself to the teacher. Millar had just had a night flight and a working session with his Italian colleagues, and those eyes still looked as rested, alert and calm as if he had just got up. Fit, Perlmann thought, and saw the laughing face of Agnes when he gave free rein to his unfounded hatred for the word once again.

  While the others were already sitting by their empty plates, Perlmann hastily wolfed down his soup. He was glad that a seat for Giorgio Silvestri had been left free between him and Millar. There was still some unpleasantness with Millar, he suddenly felt quite clearly: some shortcoming that he couldn’t call to mind. Only when he heard von Levetzov thanking Millar for a text he had sent him did he remember the package with the four offprints that had arrived from New York in August, bearing the stamp first class mail, which always made Perlmann think of diplomatic mail that had found its way to him by mistake.